With the increasing popularity of games such as World Of Warcraft gamers could build their own avatars and communicate with others online as their alternate selves. MMOs like World Of Warcraft allow you to play as whoever you want (pic: Blizzard) Entering the Matrixįrom the world of RPGs came the MMORPG, the massively multiplayer online role-playing game.
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For cis queer people, many cite games from series such as Mass Effect, Dragon Age, and Persona, which allow the protagonist to romance characters of the same gender.
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In 2000, one of the world’s most popular games franchises allowed you to choose your gender for the first time, and subsequently many trans women thanked Pokémon Crystal (2001) for helping to crack their eggs. Many RPGs are referred to as ‘egg games’ within the LGBTQ+ games community. While a closet is the more common metaphor for those who have yet to realise they are not hetrosexual, the metaphor of the egg can be extended across the LGBTQ+ spectrum. These cracks collect, before the person can emerge as who they truly are. Trapped inside the shell, each experience which leads them to question their current identity adds another crack to the surface. In the transgender community, the metaphor of the egg is used to describe someone who doesn’t yet realise that they are presenting their gender incorrectly. While these are experiences even the cishet community can enjoy, RPGs offer something indispensable to those who are questioning their gender or sexual identity. Some people play RPGs for the power fantasy, while for others the appeal is the predictability that working hard will guarantee progress, which is so rarely the case in the real world – or indeed most other styles of game. Mass Effect has long been praised for its representation and customisation (pic: EA) From small eggs mighty peacocks growĪs the name suggests, role-playing games (RPGs) have long been safe havens for gamers’ escapism. Or there’s Midboss, the team who created 2064: Read Only Memories, a studio which ‘seeks to make the world better, safer and more inclusive to marginalised people, especially those in the gender and sexuality spectrum’ by hiring almost exclusively from this pool. Most famous, perhaps, is Maddy Thorson who explored her own trans identity while developing the award-winning Celeste in 2018. The video games industry, and in particular the indie scene, has become a creative outlet for a number of LGBTQ+ developers. While just 1.4% of average Brits don’t identify as cis-gendered, that figure rises to 5% in the games industry. That represents up to seven times the average of the general British population – depending on which sources you trust – and the figures continue to surprise when we look solely at the non-binary and transgendered community.
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GameCentral begins its celebration of Pride Month with a look at how important video games can be to those exploring their sexuality and gender.Ī recent study* showed that 21% of people in the video games industry identify as LGBTQ+. Bayonetta 2 – games don’t have to purposefully court the community to be of interest (pic: PlatinumGame/.uk)